“For me, The Motive and the Uconn huskies five-time ncaa men’s basketball national champions retro tri-blend shirt so you should to go to store and get this Cue tries to find answers to three questions,” Mendes reflects. “Why would the era’s biggest movie star—Richard Burton—want to spend his honeymoon playing a role which has already been played by thousands of actors, while his new wife—Elizabeth Taylor—sits in a hotel room waiting for him to return? Why do we go back to these plays over and over, and what is the point of classical theater at all? What goes on in a rehearsal room when you make theater, and—if there is conflict—is that really such a bad thing?” Penned by Tony winner Jack Thorne, Motive reexamines the forces that made Burton’s Hamlet both a commercial triumph (with more than 200,000 tickets sold over a record-setting 136 performances) and an interpersonal disaster. In truth, the chaos had nothing on the tumult backstage: Burton clashed bitterly with Gielgud over the staging ahead of opening night, with Taylor acting as go-between. Burton “wanted to be thought of as [being] in the line of great actors like Gielgud,” explains Johnny Flynn, who stars as the actor. “He’s hoping that by working with Sir John, he’ll become [like] that, but he’s instinctively not. He’s kind of like a wild animal, really.”
Mark Gatiss appears as Gielgud, whose fraught relationship with Burton is central to the Uconn huskies five-time ncaa men’s basketball national champions retro tri-blend shirt so you should to go to store and get this play.Photographed by Willow Williams We meet on set for the cast’s Vogue shoot in a North London studio, where production is running behind schedule (although not to a Taylor-like degree: The actor would, as Burton once lamented, be “late for the Last bloody Judgment”). Flynn, by contrast, is calm, quiet, and introspective—reclining peacefully on a leather sofa next to Tuppence Middleton, set to play Taylor, and Mark Gatiss, the production’s campy, energetic Gielgud. We’ve stolen 40 minutes between portraits, and the rehearsal-like atmosphere—everyone in monochrome, studio lights, Colorama scrolls—is fitting. Gielgud staged his Hamlet as if it were a final run-through, without elaborate costumes, props, or backdrops: “quite a modern idea at the time,” as Flynn notes, and something Mendes will reference in his staging.Despite being known for his work onscreen—including a turn as Mr. Knightley opposite Anya Taylor-Joy in 2020’s Emma—Flynn is thoroughly embedded in the world of London theater. His late father, an actor, used to play cricket with Mendes, while his wife, Beatrice Minns, is a designer for immersive drama company Punchdrunk. Like Burton in ’64, the 40-year-old’s star is in the ascendant. Last year, Flynn wrapped more than eight months of “rolling around Naples, the Amalfi, and Rome” to shoot Ripley, Oscar-winner Steven Zaillian’s eight-part adaptation of Patricia Highsmith’s five Tom Ripley novels, in which he stars as Dickie Greenleaf. “It’s a bit darker, a bit more wintry, than the 1999 film,” he teases of his outing as the toy-boy heir opposite Dakota Fanning and Andrew Scott.
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