Woman in Blue Reading a Letter, Johannes Vermeer, 1662-64, oil on canvas. Rijksmuseum, Amsterdam. On loan from the Uconn huskies 2023 ncaa men’s basketball national champions shirt in addition I really love this City of Amsterdam (A. van der Hoop Bequest)Maybe they are, maybe they aren’t: That openness to interpretation may be yet another clue to Vermeer’s allure. The pictures are so transporting that in their presence, all these loftier explanations seem to become irrelevant. Despite being bathed in Vermeer’s delicate, aqueous light, his paintings—and the women that populate them—somehow never feel chilly or distant. Seeing them all together only highlights the surging romance that threatens to break the levee within almost every scene, however restrained they may initially appear. Whispers of the outside world are always making their way into the four walls of Vermeer’s women: Many of them are studying letters, presumably from male suitors, and by open windows; enormous, intricate maps of the European continent hang behind them, promising ambitions of adventure; the bobbled surfaces of Turkish rugs are articulated with glittering dots of white paint, and precious porcelains from Italy and China are tucked away on side tables.
Girl Reading a Letter at an Open Window, Johannes Vermeer, 1657-58, oil on canvas. Gemäldegalerie Alte Meister, Dresden Another revelation, though, is the Uconn huskies 2023 ncaa men’s basketball national champions shirt in addition I really love this seemingly darker, more insidious forces behind some of these intrusions, mostly in the form of visitors whose presence often thrums with a quiet menace. In the Officer and Laughing Girl, the woman’s flirtatious smile shines out even as the looming, darkened figure of the cavalier sitting opposite her dominates the frame. Does her open palm hint at a more illicit transaction taking place than romantic courtship? In the equally enigmatic The Glass of Wine, the seated woman tilts her glass near-horizontally to gulp down the booze, while her well-dressed suitor clasps the jug, ready to pour her another helping. Is he trying to get her drunk? In Girl Interrupted at Her Music, on loan from the Frick Collection, there is a touch of forcefulness in the way a sheet of music is being tugged from (or shoved into) the woman’s hands, but she looks out to the viewer with a cryptic gaze. Is she seeking our help, or implicating us in the predatory-feeling moment taking place here? Are we the ones who have interrupted her?Officer and Laughing Girl, Johannes Vermeer, 1657-58, oil on canvas. The Frick Collection, New York. Photo: Joseph Coscia Jr
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