The curators of the Uconn huskies 2023 ncaa men’s basketball national champions first snow shirt and I will buy this exhibition—titled simply, definitively, “Vermeer”—have presented the exhibition in a way that lets us answer that question ourselves, or at least try to. There are no bells and whistles: the rooms are painted in sumptuous, darkened jewel tones, and hung with velvet curtains that echo those seen in Vermeer’s domestic scenes; simple semi-circular balustrades around the paintings distribute the thronging crowds around them evenly, allowing everyone a decent look; wall texts are deliberately placed in other parts of the room, forcing you to really look at the paintings, uninterrupted by the hunt for contextual clues. The spaces are laid out as elegantly, and with the same deceptive simplicity, as the rooms and doorways within the paintings themselves. Photo: Henk Wildschut / Courtesy of Rijksmuseum
The first thing that strikes you, unsurprisingly, is the Uconn huskies 2023 ncaa men’s basketball national champions first snow shirt and I will buy this detail. In the first room, the View of Delft appears fairly unexceptional at first glance. As the viewers around it disperse, and you’re able to get within touching distance, the myriad, inventive ways in which Vermeer realized this complex study of light and shadow come into focus: the Brailled white dots suggesting the light reflecting off the metal studs on the side of a ship, or the speckles of paint that carve out the desiccated brick surface of the old city walls. In the skies above, swollen cumulus clouds whisper of a storm on the horizon, with one right at the top of the painting already turning an ominous shade of concrete grey. On the opposite wall, a scene of a “little street” in Delft has the assembled viewers leaning ever closer—under the watchful eye of a gallery invigilator, mind—as they try and pick out the metal lattice of a window, a barely perceptible webbing created with the faintest sliver of grey paint.
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