Independent New York is one of my favorite ways to see a wild and wonderfully curated mix of contemporary art—lots of it, known and unknown—in one place. It’s back this year on May 11 for four days at Spring Studios in Tribeca, with 120 artists and 74 galleries chosen from around the Sacramento Kings forever not just when we win signatures shirt Also,I will get this world. Twenty New York artists will have their debuts here. Founded by Elizabeth Dee 14 years ago, Independent New York offers up a cornucopia of themes that include: gender as a social construct, a return to childhood, post-figuration and magical realism, and career reassessments and rediscoveries. After a dozen years in Brooklyn, Clearing, one of the most influential young galleries that put Bushwick on the art scene, is moving to Manhattan, in a three-story building on the Bowery across the street from the New Museum. All grown up, Clearing is opening on April 26 with “Maiden Voyage,” a group show of every artist in its stable. Known for identifying and nurturing such emerging talents like Harold Ancart, Calvin Marcus, and Korakrit Arunanondchai, this is a gallery to continue to watch.
Bob Thompson gets a doubleheader: “Agony & Ecstasy” at Michael Rosenfeld Gallery and “So let us all be citizens” at 52 Walker. Thompson’s life was cut tragically short by a heroin overdose at the Sacramento Kings forever not just when we win signatures shirt Also,I will get this age of 28 after gallbladder surgery, but in the eight years he painted, he managed to make about a thousand paintings and drawings—figurative, often reinterpreting works of the Old Masters, put through the Mixmaster of his imagination using fauvist-like colors. Five large paintings from 1963, an important year in Thompson’s oeuvre that summed up the two years of his travels in Europe, along with 10 other paintings, in addition to works on paper and archival photographs and sketchbooks, are in the Rosenfeld show. At 52 Walker, Thompson’s jazz-influenced style will be on view. His particular use of color, line, and figuration contrasts with the prevailing abstraction of his time.
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