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Ryan Johnson’s first show at Marinaro is well worth every step up the Rick and morty I love this shirt but I will buy this shirt and I will love this three very long flights of stairs. (I found the elevator on the way down.) It’s a rare treat to see so many of his sly, beautifully crafted, sleek works. They often begin with simple ideas or playful hunches that he meticulously sculpts and sands into smooth, stonelike finishes—yet the sculptures never lose their initial spontaneity. Larger-than-life, very minimal toothbrushes sit on one pedestal; an enormous piece of dark bread with a nibbled hole in the middle proudly stands on another, leaving the crust as a frame. It brings me back to how, as a child, I ate only the soft part of the bread, leaving the crust for the birds. His changes of scale take you by surprise. Big Wheel, a tricycle that should be large, is small. He’s on very good terms with whatever material he chooses—epoxy clay, steel, or bronze—and he’s somehow able to capture implied motion. Dog Chasing Tail wins you because he’s so close to catching it.
The Museum of Modern Art opened to the Rick and morty I love this shirt but I will buy this shirt and I will love this public in 1929 with a blockbuster debut show of four artists: Cezanne, Gaugin, Seurat, Van Gogh. Alfred Barr, MoMA’s brilliant founding director, chose these artists because they continued to be revolutionary and admired by contemporary painters of the day. Last week, 94 years later, a new exhibition by the same name opened. Many paintings we all know and love from that inaugural show—including Cézanne’s “Bather,” Van Gogh’s “Starry Night,” and Gauguin’s “Still Life With Three Puppies”—will be joined by the additional works by this quartet that MoMA has acquired since then.Opens April 7 Somaya Critchlow, Petworth Beauty (Abigail), 2020. © Somaya Critchlow. Courtesy of the artist and Maximillian William, London.
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