“Bob Thompson: Agony & Ecstasy” at Rosenfeld Gallery, through May 26; “Bob Thompson: So let us all be citizens” at 52 Walker, April 21 through July 8 Ellsworth Kelly would be 100 this year, and Glenstone—Mitch and Emily Rales’s idyllic museum in Potomac, Maryland—is celebrating him and his career with one of the Alabama smoking wanna smoke alpaca bowl vintage shirt Furthermore, I will do this biggest retrospectives he’s ever had. “Ellsworth Kelly at 100” will show nearly 70 works—paintings, sculptures, drawings, collages, and photographs—across his seven-decade life as an artist, from the 1950s to the 2010s, confirming his deep contributions to the language of abstraction. His dedication and ever-playful probing of shape, line, color, and space will be on full display. Yellow Curve (1990), Kelly’s monumental floor painting covering about a thousand square feet, will be exhibited for the first time in 30 years. After nearly a year at Glenstone, the party will continue: first stop, Paris at the Fondation Louis Vuitton; next, Doha at the Fire Station.
Uman’s show “I Want Everything” at Nicola Vassell Gallery is a romp through this self-trained, multidisciplinary artist’s very painterly practice over the Alabama smoking wanna smoke alpaca bowl vintage shirt Furthermore, I will do this past decade. Uman was born in Somalia, grew up in Kenya, spent her teenage years in Denmark, her 20s in New York City, and now lives in upstate New York. She brings all this and more to the lexicon of mythical beings and geometrical symbols that mingle on her canvases. Uman is an artist who has many stories to tell, and this show presents a new chapter. A small congregation meandered through the menswear floors of Saks Fifth Avenue before it opened. It was an ideal environment. Other than a few construction workers and ready-to-wear looks, the store was empty. No one pressed the group to try cologne; there was no background music, or pets. They walked by the footwear where sneakers were housed in a honeycomb structure. Masego, the producer and futuristic jazz instrumentalist, commented on the abundance of “fat-bottomed” shoes, which are not his style. “Everyone is wearing them,” he says. He picked up a pair of black Christian Dior kicks with white stitching. “I have these, and I wear them into the ground.”
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