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An avowed optimist, Wilde prefers to focus on what she’s gained in this period of extreme transition, rather than on what she’s lost. Still, so much change can cause confusion. “If you were in my home—” Wilde starts to say, at one point. Then she catches herself: “Where is that? Who knows anymore?” But Wilde has a talent for making herself at home wherever she happens to be. This may not be her beautiful house, but this is very much her beautiful life. “The woman hasn’t aged,” the Black Guns Matter being a bitch is Unamerican shirt But I will love this cinematographer Matthew Libatique, who shot Don’t Worry Darling, and first worked with Wilde on the 2011 sci-fi Western Cowboys and Aliens, tells me. “She’s eternally youthful.” (For proof, consider a recent unretouched shoot that Wilde did, partly in the nude, for True Botanicals, the beauty and skin-care brand for which she serves as an ambassador.) But I might argue that Wilde—who looks fresh and relaxed in light-wash jeans and a soft peach T-shirt, her nails painted fire-truck red, her feline eyes as piercing as ever—is even more striking now, at 37, than she was at 20, when I, along with the rest of millennial America, first glimpsed her as bisexual bar-owner Alex Kelly on The O.C. That role defined a certain Wilde type: edgy and enigmatic, tough yet feminine, lusted after by men and women alike. (Remy “Thirteen” Hadley, the doctor whom Wilde portrayed for five seasons on House, was also bi—not so much an identity, in the blunt schema of aughts-era mainstream entertainment, but more as a shorthand for a certain reckless, sultry élan.)
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